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Maxwell Alexandre

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Open a larger version of the following image in a popup: Maxwell Alexandre, Até Deus inveja o homem preto, 2018
Open a larger version of the following image in a popup: Maxwell Alexandre, Até Deus inveja o homem preto, 2018

Maxwell Alexandre

Até Deus inveja o homem preto, 2018
látex, acrílica e bastão oleoso sobre papel pardo, lona de piscina Capri e piscina Capri de 400 litros
[latex, acrylic and oil stick on manila paper, Capri pool tarp and 400 liters Capri pool]
430 x 510 cm [169 1/4 x 200 3/4 in]
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Further images

  • (View a larger image of thumbnail 1 ) Maxwell Alexandre, A lua quer ser preta, se pinta no eclipse, 2017-2018
  • (View a larger image of thumbnail 2 ) Maxwell Alexandre, A lua quer ser preta, se pinta no eclipse, 2017-2018
A série “Pardo É Papel” tem como motivo principal a autoestima do negro. Trata-se de liberdade, marra, ostentação, vitória, bonança e empoderamento. O primeiro momento da série se dá através...
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A série “Pardo É Papel” tem como motivo principal a autoestima do negro. Trata-se de liberdade, marra, ostentação, vitória, bonança e empoderamento. O primeiro momento da série se dá através de pinturas monumentais que tem como suporte fundamental o papel pardo.

The main motif around the series “Pardo Is Paper” is the self-esteem of black people. It is about freedom, striking, ostentation, victory, bonanza and empowerment. The first moment of the series takes place through monumental paintings that have brown paper as a fundamental support.
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In the gallery

Pardo é Papel I Musée d’Art Contemporain de Lyon (MAC Lyon) I Lyon, França [France] I 2019 [08.03 - 07.07]

Pardo é Papel I Museu de Arte do Rio (MAR) I Rio de Janeiro, Brasil I NOV 2019 - MAI 2020
Thailand Biennale 2021 | Bangkok | Thailand | [18.12.21 - 31.03.22]
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