ABRE ALAS #18
Érica Storer, Sonhe Alto Trabalhe Muito - Vá Longe #06, 2022
instalação, escritório suspenso
[installation, suspended office]
[installation, suspended office]
dimensões variáveis adaptáveis ao espaço arquitetônico
[variable dimensions adaptable to architetonic space]
[variable dimensions adaptable to architetonic space]
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Em sua sexta edição, a instalação Sonhe Alto, Trabalhe Muito - Vá Longe é composta por uma estação de trabalho suspensa no teto com cordas de sisal. A ficcionalização do...
Em sua sexta edição, a instalação Sonhe Alto, Trabalhe Muito - Vá Longe é composta por uma estação de trabalho suspensa no teto com cordas de sisal. A ficcionalização do trabalho cognitivo, que se aproxima cada vez mais do artista “empreendedor de si mesmo”, paira sobre o constrangimento entre a realidade física e social. Como estratégia, materializam-se frases motivacionais que celebram o mito meritocrático do “trabalho vs. conquista”, como um lugar acima a ser conquistado pelo esforço. Todavia, ao pendurá-las no alto, outra condição é incorporada, a fragilidade de sua estrutura e iminência de seu colapso.
In its sixth edition, the installation Sonhe Alto, Trabalhe Muito - Vá Longe (Dream Big Work Hard - Go Far) is composed of a workstation suspended from the ceiling with sisal ropes. The fictionalization of cognitive work, which gets closer and closer to the idea of the artist as “entrepreneur of himself”, hovers over the constraint between physical and social reality. As a strategy, the work materializes motivational phrases that celebrate the meritocratic myth of “work vs. achievement”, as an elevated place that can be conquered by effort. However, by hanging them up high, another condition is incorporated - the fragility of their structure and the imminence of their collapse.
In its sixth edition, the installation Sonhe Alto, Trabalhe Muito - Vá Longe (Dream Big Work Hard - Go Far) is composed of a workstation suspended from the ceiling with sisal ropes. The fictionalization of cognitive work, which gets closer and closer to the idea of the artist as “entrepreneur of himself”, hovers over the constraint between physical and social reality. As a strategy, the work materializes motivational phrases that celebrate the meritocratic myth of “work vs. achievement”, as an elevated place that can be conquered by effort. However, by hanging them up high, another condition is incorporated - the fragility of their structure and the imminence of their collapse.