Rodrigo Torres
Recife, 2022
cerâmica, tijolos vitrificados e tinta acrílica
(base em madeira e tijolos refratários)
[ceramics, vitrified bricks and acrylic paint
(base in wood and refractory bricks)]
(base em madeira e tijolos refratários)
[ceramics, vitrified bricks and acrylic paint
(base in wood and refractory bricks)]
32 x 45 x 40 cm
[12 5/8 x 17 3/4 x 15 3/4 in]
8.3 kg
[12 5/8 x 17 3/4 x 15 3/4 in]
8.3 kg
Copyright O Artista
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Um muro que não está ali para dividir, pelo contrário, ele é o ponto de intersecção. Sobre ele se apoia um emaranhado de vasos - alguns exercem pressão, outros cedem...
Um muro que não está ali para dividir, pelo contrário, ele é o ponto de intersecção. Sobre ele se apoia um emaranhado de vasos - alguns exercem pressão, outros cedem ao peso de uma laranja. As crostas se agarram à superfície e alguns tijolos são engolidos. Recife formado pelo fogo, deposição de jarros secos. A vida escorreu e a lembrança petrificou.
[A wall that was not made to divide, on the contrary, it is the point of intersection. A tangle of vases rests on it - some exert pressure, others give in to the weight of an orange. The crusts cling to the surface and some bricks are swallowed. A reef formed by fire, a deposition of dry jars. Life flowed and memory petrified.]
[A wall that was not made to divide, on the contrary, it is the point of intersection. A tangle of vases rests on it - some exert pressure, others give in to the weight of an orange. The crusts cling to the surface and some bricks are swallowed. A reef formed by fire, a deposition of dry jars. Life flowed and memory petrified.]
Na galeria
Vale da Utopia | Instituto Artium de Cultura | São Paulo | Brasil l [09.11.2022 - 29.01.2023]Livro de Quartzo | A Gentil Carioca | Rio de Janeiro | Brasil | 2022 [30.04 - 30.07]