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Ana Linnemann | Anotações sobre a prática e outras considerações

Past exhibition
6 Aug - 17 Sep 2022 São Paulo
Open a larger version of the following image in a popup: Ana Linnemann, Pintura-dado (a sorte, o acaso e a falta dele), Face 1, 2022
Open a larger version of the following image in a popup: Ana Linnemann, Pintura-dado (a sorte, o acaso e a falta dele), Face 1, 2022
Open a larger version of the following image in a popup: Ana Linnemann, Pintura-dado (a sorte, o acaso e a falta dele), Face 1, 2022
Open a larger version of the following image in a popup: Ana Linnemann, Pintura-dado (a sorte, o acaso e a falta dele), Face 1, 2022
Open a larger version of the following image in a popup: Ana Linnemann, Pintura-dado (a sorte, o acaso e a falta dele), Face 1, 2022
Open a larger version of the following image in a popup: Ana Linnemann, Pintura-dado (a sorte, o acaso e a falta dele), Face 1, 2022
Open a larger version of the following image in a popup: Ana Linnemann, Pintura-dado (a sorte, o acaso e a falta dele), Face 1, 2022
Open a larger version of the following image in a popup: Ana Linnemann, Pintura-dado (a sorte, o acaso e a falta dele), Face 1, 2022

Ana Linnemann

Pintura-dado (a sorte, o acaso e a falta dele), Face 1, 2022
madeira, linho, dobradiças e parafusos com giro de 180°
[wood, linen, hinges and screws with 180° turn]
54 x 41 x 12.5 cm
[21 1/4 x 16 1/8 x 4 7/8 in]
Copyright The Artist
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) Ana Linnemann, Natureza-morta (fruteira e maçã), 2018-2022
  • (View a larger image of thumbnail 2 ) Ana Linnemann, Natureza-morta (fruteira e maçã), 2018-2022
  • (View a larger image of thumbnail 3 ) Ana Linnemann, Natureza-morta (fruteira e maçã), 2018-2022
  • (View a larger image of thumbnail 4 ) Ana Linnemann, Natureza-morta (fruteira e maçã), 2018-2022
  • (View a larger image of thumbnail 5 ) Ana Linnemann, Natureza-morta (fruteira e maçã), 2018-2022
  • (View a larger image of thumbnail 6 ) Ana Linnemann, Natureza-morta (fruteira e maçã), 2018-2022
  • (View a larger image of thumbnail 7 ) Ana Linnemann, Natureza-morta (fruteira e maçã), 2018-2022
  • (View a larger image of thumbnail 8 ) Ana Linnemann, Natureza-morta (fruteira e maçã), 2018-2022
As 'Pinturas-dado' fazem parte de um conjunto de trabalhos do sistema chamado 'Exposição de galeria', desenvolvido pela artista, que examina formatos comuns ao universo das galerias: pinturas e desenhos, porém...
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As "Pinturas-dado" fazem parte de um conjunto de trabalhos do sistema chamado "Exposição de galeria", desenvolvido pela artista, que examina formatos comuns ao universo das galerias: pinturas e desenhos, porém numa condição de dissidência — pinturas, mas nem tanto assim e desenhos, mas nem tanto assim. Poderia se dizer que são esculturas cujo material é a pintura, e objetos cujo material é o desenho. As "Pinturas-dado" são o mais recente acréscimo ao projeto, atualmente formado pelas "Pinturas-alvo", as "Pinturas-sem-saída", as "Molduras Inconformadas" e uma máquina de chutar paredes chamada "O Artista."

The "Pinturas-dado" are part of a series of works from the system called "Exposição de galeria", developed by the artist, which examines formats common to the universe of galleries: paintings and drawings, but in a condition of dissidence —paintings, but not that much, and drawings, but not that much. It could be said that they are sculptures in which the material is painting, and objects in which the material is drawing. The "Pinturas-Dado" are the latest addition to the project, currently made up of the "Pinturas-alvo", the "Pinturas-sem-saída", the "Molduras Inconformadas" and a wall-kicking machine called "O Artista."
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In the gallery

Anotações sobre a Prática e Outras Considerações | A Gentil Carioca | São Paulo, Brasil | 2022 [06.08-17.09]
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