Overview

 

A Gentil Carioca São Paulo opens a new solo exhibition by Denilson Baniwa, Yawara Akanga (dog’s head, free translation), on April 7, from 4pm.

The exhibition brings together 10 new works and continues the artist’s research into non-Indigenous presence in the Rio Negro region and across the Amazon territory. The critical text is written by Miguel A. López, Chief Curator of the Museo Universitario del Chopo.

This marks the artist’s second solo exhibition at A Gentil Carioca’s São Paulo space, following Moqueca de Maridos (2023).

In his practice, Baniwa revisits the past through the reinterpretation of images drawn from local traditions and representations, as well as from European and North American institutions — such as the Musée du Quai Branly, the Museu Nacional de Etnologia, the Princeton University Library, and the Getty Foundation — alongside photographic archives from Catholic boarding schools and Salesian missions in Amazonian villages.

Exhibition views
Selected Works
  • Denilson Baniwa, Belle Époque, 2025
    Denilson Baniwa, Belle Époque, 2025
  • Denilson Baniwa, Caxiri de pupunha vermelha, 2025
    Denilson Baniwa, Caxiri de pupunha vermelha, 2025
  • Denilson Baniwa, K-Drama (Dorama), 2026
    Denilson Baniwa, K-Drama (Dorama), 2026
  • Denilson Baniwa, Marajoara, 2026
    Denilson Baniwa, Marajoara, 2026
  • Denilson Baniwa, Máscaras de Jurupary, 2025
    Denilson Baniwa, Máscaras de Jurupary, 2025
  • Denilson Baniwa, Mercúrio Retrógrado, 2025
    Denilson Baniwa, Mercúrio Retrógrado, 2025
  • Denilson Baniwa, Mitologia Lunar, 2025
    Denilson Baniwa, Mitologia Lunar, 2025
  • Denilson Baniwa, Poema a Oswald de Andrade, 2026
    Denilson Baniwa, Poema a Oswald de Andrade, 2026
  • Denilson Baniwa, Solve et Coagula (Dissolver e Coagular), 2025
    Denilson Baniwa, Solve et Coagula (Dissolver e Coagular), 2025
  • Denilson Baniwa, Tupana pisirú (Salvo por Deus), 2025
    Denilson Baniwa, Tupana pisirú (Salvo por Deus), 2025