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Open a larger version of the following image in a popup: Agrade Camíz, Até virar outra coisa, 2026

Agrade Camíz

Até virar outra coisa, 2026
acrílica e giz pastel oleoso sobre tela
[acrylic and oil pastel on canvas]
280 x 279 x 3.5 cm políptico
140 x 139 x 3.5 cm cada
[110 1/4 x 109 7/8 x 1 3/8 in polyptych
55 1/8 x 54 3/4 x 1 3/8 in each]
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Further images

  • (View a larger image of thumbnail 1 ) Agrade Camíz, Até virar outra coisa, 2026
  • Até virar outra coisa
Buscando dissecar o banal, Agrade Camíz revela camadas profundas e quase secretas por meio de composições que transitam entre figurações, abstrações e geometrias, tensionando narrativas visuais estabelecidas. Utilizando signos das...
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Buscando dissecar o banal, Agrade Camíz revela camadas profundas e quase secretas por meio de composições que transitam entre figurações, abstrações e geometrias, tensionando narrativas visuais estabelecidas. Utilizando signos das habitações populares, ela redefine espaços e conceitos, criando novos lugares possíveis. Sua obra é marcada por uma densidade particular, em que as camadas visuais e simbólicas refletem o caos e as intimidades dos territórios que atravessa — sejam eles geográficos ou corporais.

Esta pintura assume a transformação como premissa. Ao longo de quatro painéis, elementos se juntam, se sobrepõem e se separam sem se resolverem em uma imagem estável. As costuras permanecem visíveis, nos lembrando de que a unidade pode emergir dos intervalos em vez de simplesmente se dar. Uma forma se torna um padrão; um padrão se torna um campo; um campo começa a parecer algo inteiramente diferente.


[Seeking to dissect the banal, Agrade Camíz reveals deep and almost hidden layers through compositions that shift between figuration, abstraction, and geometry, challenging established visual narratives. Drawing on the symbols of popular housing, she redefines spaces and concepts, creating new places. Her work is marked by a particular density, where visual and symbolic layers reflect the chaos and intimacies of the territories she traverses — whether geographical or bodily.

"Until It Becomes Something Else" takes transformation as its premise. Across four panels, elements gather, overlap, and separate without resolving into a stable image. The seams remain visible, reminding us that unity can emerge across intervals rather than being simply given. A form becomes a pattern; a pattern becomes a field; a field begins to resemble something else entirely.]

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