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Open a larger version of the following image in a popup: Novíssimo Edgar, Homenagem ao Museu Nacional, 2023
Open a larger version of the following image in a popup: Novíssimo Edgar, Homenagem ao Museu Nacional, 2023
Open a larger version of the following image in a popup: Novíssimo Edgar, Homenagem ao Museu Nacional, 2023
Open a larger version of the following image in a popup: Novíssimo Edgar, Homenagem ao Museu Nacional, 2023

Novíssimo Edgar

Homenagem ao Museu Nacional, 2023
isqueiro de aço inox com gravação em laser
[laser engraved stainless steel lighter]
5 x 10 cm díptico
5 x 4 cm cada
[2 x 1 5/8 in each]
[2 x 4 in dyptich]
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) Novíssimo Edgar, Homenagem ao Museu Nacional, 2023
  • (View a larger image of thumbnail 2 ) Novíssimo Edgar, Homenagem ao Museu Nacional, 2023
  • (View a larger image of thumbnail 3 ) Novíssimo Edgar, Homenagem ao Museu Nacional, 2023
  • (View a larger image of thumbnail 4 ) Novíssimo Edgar, Homenagem ao Museu Nacional, 2023
Muito se perdeu no incêndio do Museu Nacional do Rio de Janeiro, desde coleções de artefatos Imperiais à fósseis humanos, inclusive o mais antigo encontrado no Brasil, Luzia. Não é...
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Muito se perdeu no incêndio do Museu Nacional do Rio de Janeiro, desde coleções de artefatos Imperiais à fósseis humanos, inclusive o mais antigo encontrado no Brasil, Luzia. Não é a primeira vez que um Museu pega fogo no país. Durante a produção desta obra, o profissional contratado para gravar o nome do Museu no metal errou a grafia repetidamente, o que também tornou evidente a infinita complexidade educacional que existe no panorama Brasileiro, especialmente relacionada aos aparatos da cultura.

[Much was lost in the fire at the National Museum in Rio de Janeiro, from collections of Imperial artifacts to human fossils, including the oldest found in Brazil, Luzia. It is not the first time that a Museum catches fire in the country. During the production of this work, the professional hired to engrave the name of the Museum on the metal repeatedly made a spelling mistake, which also made evident the infinite educational complexity that exists in the Brazilian panorama, especially related to the apparatus of culture.]
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