Agrade Camíz
Cheat Retreat, 2022
acrílica, pastel oleoso e grafite sobre linho cru
[acrylic, oil pastel and graphite on raw linen]
[acrylic, oil pastel and graphite on raw linen]
130 x 390 cm tríptico
130 x 130 cm cada
[51 1/8 x 153 1/2 in tryptich
51 1/8 x 51 1/8 in each]
5.2 kg cada [each]
130 x 130 cm cada
[51 1/8 x 153 1/2 in tryptich
51 1/8 x 51 1/8 in each]
5.2 kg cada [each]
Copyright O Artista
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Tendo como primeira referência a arquitetura popular, Agrade Camíz traz o balanço da vivência em coletivo ao apresentar em sua pintura micro registros de existência e re-existência. Sua pesquisa pensa...
Tendo como primeira referência a arquitetura popular, Agrade Camíz traz o balanço da vivência em coletivo ao apresentar em sua pintura micro registros de existência e re-existência. Sua pesquisa pensa a habitação como ocupação - marcação de presença no território. Portanto, “Habitacional” é o desejo do lugar possível, no campo material ou não; é a retomada do não-lugar ao meu-lugar. Agrade processa seu trabalho caminhando para a abstração. Em “Cheat Retreat”, a artista se inspira na gentrificação, nas massas e em como habitamos determinados espaços - das necessidades de fuga e de retiro. A pintura é pensada a partir das praias urbanas lotadas, mares de gente - como os corpos se misturam à própria paisagem, transformam e se tornam o ambiente. Os losangos, presentes na primeira pintura Habitacional de 2019, retornam, trazendo a casa para a praia, assim como a erupção em vermelho, também presente em outras obras. Para a artista, a tela entra em erupção quando há necessidade de um respiro do tema, ou apenas da própria pintura. No caso de “Cheat Retreat”, a erupção opera como dupla interrupção – é um respiro na pintura dominada pelo amarelo e por uma lotação do próprio tema que a inspira: “praias urbanas são como “fake oásis“.
[Taking opular architecture as her primordial reference, Agrade Camíz brings the balance of living in a collective by presenting in her painting micro records of existence and re-existence. Her research thinks of housing as occupation - marking presence in the territory. Therefore, “Habitacional” is the desire for the possible place, in the material field or not; it is the return of the non-place to my-place. Camíz processes her work moving towards abstraction. In “Cheat Retreat”, the artist is inspired by gentrification, the masses and how we inhabit certain spaces - the needs of escape and retreat. The painting is thought from the perspective of crowded urban beaches, seas of people - how bodies mix with the landscape itself, transform and become the environment. The diamond shapes, present in the first "Habitacional" painting of 2019, return, bringing the house to the beach, as well as the eruption in red, also present in other works. For the artist, the canvas erupts when there is a need for a breath from the theme, or just from the painting itself. In the case of “Cheat Retreat”, the eruption operates as a double interruption– it is a breach of air in a painting dominated by yellow and by a crowding of the very theme that inspires it: “urban beaches are like a “fake oasis“.]
[Taking opular architecture as her primordial reference, Agrade Camíz brings the balance of living in a collective by presenting in her painting micro records of existence and re-existence. Her research thinks of housing as occupation - marking presence in the territory. Therefore, “Habitacional” is the desire for the possible place, in the material field or not; it is the return of the non-place to my-place. Camíz processes her work moving towards abstraction. In “Cheat Retreat”, the artist is inspired by gentrification, the masses and how we inhabit certain spaces - the needs of escape and retreat. The painting is thought from the perspective of crowded urban beaches, seas of people - how bodies mix with the landscape itself, transform and become the environment. The diamond shapes, present in the first "Habitacional" painting of 2019, return, bringing the house to the beach, as well as the eruption in red, also present in other works. For the artist, the canvas erupts when there is a need for a breath from the theme, or just from the painting itself. In the case of “Cheat Retreat”, the eruption operates as a double interruption– it is a breach of air in a painting dominated by yellow and by a crowding of the very theme that inspires it: “urban beaches are like a “fake oasis“.]