Aleta Valente
Ensaio Sobre Siena, 2015
impressão pigmentada sobre papel Canson Rag Photographique 310gr
[pigmented print on Canson Rag Photographique 310gr]
[pigmented print on Canson Rag Photographique 310gr]
197.5 x 111.5 x 4 cm políptico
31.5 x 53 x 4 cm cada
[77 3/4 x 43 7/8 x 1 5/8 in polyptych
12 3/8 x 20 7/8 x 1 5/8 in each]
31.5 x 53 x 4 cm cada
[77 3/4 x 43 7/8 x 1 5/8 in polyptych
12 3/8 x 20 7/8 x 1 5/8 in each]
Edition of 6 plus 2 artist's proofs
Mais imagens
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
-
(View a larger image of thumbnail 11
)
-
(View a larger image of thumbnail 12
)
-
(View a larger image of thumbnail 13
)
Apoiada de biquíni e shortinho sobre o para-brisa, capota ou porta-malas de um carro Fiat Siena, a artista produz autorretratos com poses sedutoras e joga com as circunstâncias do objeto...
Apoiada de biquíni e shortinho sobre o para-brisa, capota ou porta-malas de um carro Fiat Siena, a artista produz autorretratos com poses sedutoras e joga com as circunstâncias do objeto e do espaço em questão. A presença, a ausência e o plano geográfico de distâncias se tensionam quando Aleta faz uso dessas desproporções espaço-sociais. As fotografias contém uma ironia que ativa o dispositivo de equilíbrio e alinhamento de realidades.
Standing in bikini and shorts over the windshield, roof and a trunk of a Fiat Siena car, the artist produces self-portraits with seductive poses and plays with the circumstances of the object and space in question. The presence, absence, and geographical plan of distances produce tension when Aleta use these social-space disproportion. The photographs contain an irony that activates the balance and alignment device for these realities.
Standing in bikini and shorts over the windshield, roof and a trunk of a Fiat Siena car, the artist produces self-portraits with seductive poses and plays with the circumstances of the object and space in question. The presence, absence, and geographical plan of distances produce tension when Aleta use these social-space disproportion. The photographs contain an irony that activates the balance and alignment device for these realities.