Arjan Martins, Sem título [Untitled], 2019 | A Gentil Carioca

Artworks
Open a larger version of the following image in a popup:

Open a larger version of the following image in a popup:

Open a larger version of the following image in a popup:

Open a larger version of the following image in a popup:

Open a larger version of the following image in a popup:

Open a larger version of the following image in a popup:

Open a larger version of the following image in a popup:

Open a larger version of the following image in a popup:

Open a larger version of the following image in a popup:

Open a larger version of the following image in a popup:

Open a larger version of the following image in a popup:
Arjan Martins

Sem título [Untitled], 2019

acrílica sobre tela
[acrylic on canvas]
300 x 600 x 4 cm políptico
150 x 200 x 4 cm cada
[118 1/8 x 236 1/4 1 5/8 in polyptych
59 1/8 x 78 3/4 1 5/8 in each]
60 kg políptico [polyptych]
10kg cada [each]

Further images

(View a larger image of thumbnail 1 )

(View a larger image of thumbnail 2 )

(View a larger image of thumbnail 3 )

(View a larger image of thumbnail 4 )

(View a larger image of thumbnail 5 )

(View a larger image of thumbnail 6 )

(View a larger image of thumbnail 7 )

(View a larger image of thumbnail 8 )

(View a larger image of thumbnail 9 )

(View a larger image of thumbnail 10 )

(View a larger image of thumbnail 11 )

View on a wall

É latente nessa obra de Arjan Martins, feita especialmente para Bienal de Montevidéu, Uruguai em 2019, a ideia do deslocamento de corpos e presenças em espaços de luta e poder....

Read more

É latente nessa obra de Arjan Martins, feita especialmente para Bienal de Montevidéu, Uruguai em 2019, a ideia do deslocamento de corpos e presenças em espaços de luta e poder. Durante o processo de construção de suas telas o artista aborda a diáspora africana e os movimentos coloniais que se deram em territórios afro-atlânticos, assim as três pessoas no primeiro plano se conectam não apenas pela proximidade de seus corpos, mas em ligações históricas interconectados por toda superfície da pintura.

[In this work by Arjan Martins, made especially for the Montevideo Biennial, Uruguay in 2019, the idea of displacing bodies and presences in spaces of struggle and power is latent. During the process of building his paintings, the artist addresses the african diaspora and colonial movements that took place in Afro-Atlantic territories, so the three people in the foreground are connected not only by the proximity of their bodies, but in intercrossed historical connections throughout the painting surface.]

Close full details

In the gallery
Coleção Instituto Inhotim
Atlantic Crossings | IV Biennial of Montevideo | Montevideo | Uruguay | 2019
Descompasso Atlântico [The Mazed Atlantic] | A Gentil Carioca | Rio de Janeiro | Brasil | 2021 [22.04 - 25.06]

Previous

|

Next

6

of 32

Our website uses cookies to improve user experience. By continuing to browse you are giving us your consent to our use of cookies.