Vivian Caccuri
Tríade Dark, 2020
ferro, cordões de algodão, cordões de poliéster, triângulos, barras de aço, ardósia, pontas de grade e platinelas
[iron, cotton cords, polyester cords, steel triangles, steel bars, slate, grip tips and cymbals]
[iron, cotton cords, polyester cords, steel triangles, steel bars, slate, grip tips and cymbals]
160 x 151 x 8 cm
[63 x 59 1/2 x 3 1/8 in]
[63 x 59 1/2 x 3 1/8 in]
Copyright The Artist
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Em 'Ode ao triângulo' Vivian Caccuri vem desenvolvendo uma investigação sobre a qualidade religiosa e identitária do triângulo, um instrumento musical que teve origem no Egito antigo e que através...
Em "Ode ao triângulo" Vivian Caccuri vem desenvolvendo uma investigação sobre a qualidade religiosa e identitária do triângulo, um instrumento musical que teve origem no Egito antigo e que através do tempo ganhou novos usos na cultura popular, se afastando das circunstâncias sagradas da história. Inspirada em obras do período barroco, do modernismo brasileiro e de períodos contemporâneos a artista produziu uma série de trabalhos instalativos compostos por barras de ferro, cordões de algodão e poliéster, triângulos de aço, platinelas e miçangas, a série “Tríade e Triangulos” foi pensada a partir desta pesquisa e estruturada por objetos escultóricos que abordam os contrastes entretempos, os volumes em equilíbrio, a geometria como síntese do sentimento humano e as relações contraditórias entre pesos e cadências em combinações multiversas.
In "Ode to the triangle" Vivian Caccuri has been developing an investigation about the religious and identity quality of the triangle, a musical instrument that has its origins in ancient Egypt and that over the time has gained new uses in popular culture, moving away from the sacred circumstances of history. Inspired by works from the baroque period, brazilian modernism and contemporary periods, the artist produced a series of installation composed of iron bars, cotton and polyester threads, steel triangles, platinum and beads, the series “Tríade e Triangulos” were thought from this research and structured by sculptural objects that approach the intercrossed time contrasts, the volumes in balance, the geometry as a synthesis of human feeling and the contradictory relations between weights and cadences in multiverse combinations.
In "Ode to the triangle" Vivian Caccuri has been developing an investigation about the religious and identity quality of the triangle, a musical instrument that has its origins in ancient Egypt and that over the time has gained new uses in popular culture, moving away from the sacred circumstances of history. Inspired by works from the baroque period, brazilian modernism and contemporary periods, the artist produced a series of installation composed of iron bars, cotton and polyester threads, steel triangles, platinum and beads, the series “Tríade e Triangulos” were thought from this research and structured by sculptural objects that approach the intercrossed time contrasts, the volumes in balance, the geometry as a synthesis of human feeling and the contradictory relations between weights and cadences in multiverse combinations.