Denilson Baniwa
Brasil, Terra Indígena, 2022
colagem sobre tela
[collage on canvas]
[collage on canvas]
170 x 260 cm díptico
170 x 130 cm cada
[66 7/8 x 102 3/8 in dyptich
66 7/8 x 51 1/8 in each]
16.3 kg total [total]
170 x 130 cm cada
[66 7/8 x 102 3/8 in dyptich
66 7/8 x 51 1/8 in each]
16.3 kg total [total]
Copyright The Artist
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Um trabalho iniciado em 2018 em parceria com Jaider Esbell. Com o objetivo de financiar a vinda de mais artistas índigenas para o sudeste, a dupla montou oficinas de lambe-lambe...
Um trabalho iniciado em 2018 em parceria com Jaider Esbell. Com o objetivo de financiar a vinda de mais artistas índigenas para o sudeste, a dupla montou oficinas de lambe-lambe pela cidade de São Paulo, comercializando obras e reunindo mutirões para colá-las nas ruas. Os lambes viajaram pelo Brasil, culminando no painel apresentado em 2019 na Bienal do Barro, em Caruaru. Os trabalhos desta série demarcam lugares urbanos como terras indígenas em uma espécie de ficção contemporânea.
[This work began in 2018 in partnership with Jaider Esbell. In order to finance the arrival of more indigenous artists to the Southeast, the duo set up paper poster workshops around the city of São Paulo, selling works and gathering joint efforts to paste them on the streets. The posters travelled throughout Brazil, culminating in the panel presented in 2019 at the Bienal do Barro, in Caruaru. The works in this series demarcate urban places as indigenous lands in a kind of contemporary fiction.]
[This work began in 2018 in partnership with Jaider Esbell. In order to finance the arrival of more indigenous artists to the Southeast, the duo set up paper poster workshops around the city of São Paulo, selling works and gathering joint efforts to paste them on the streets. The posters travelled throughout Brazil, culminating in the panel presented in 2019 at the Bienal do Barro, in Caruaru. The works in this series demarcate urban places as indigenous lands in a kind of contemporary fiction.]