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João Modé
Construtivo [Paninho], Móbile, 2019
tecido, esteiras, madeira, miçangas
[fabric, straw mat, wood, beads]
[fabric, straw mat, wood, beads]
202 cm altura x 400 cm diâmetro
[79 1/2 height x 157 1/2 in diameter]
[79 1/2 height x 157 1/2 in diameter]
Copyright O Artista
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Em sua proposta de 'construtivismo-afetivo”, João Modé faz uma homenagem à tradição construtiva da arte brasileira, propondo um elo com a tradição geométrica-abstrata. Em sua casa-ateliê, o artista organiza materiais...
Em sua proposta de "construtivismo-afetivo”, João Modé faz uma homenagem à tradição construtiva da arte brasileira, propondo um elo com a tradição geométrica-abstrata. Em sua casa-ateliê, o artista organiza materiais têxteis de origens e naturezas diversas de forma intuitiva e orgânica. Nas palavras de Victor Gorgulho, "o interesse do artista não está atrelado ao alcance de uma espécie de perfeição ou mesmo de um notável virtuosismo [...]" mas sim que "[...] seus processos de costura se dão, na verdade, praticamente na contramão dos preceitos usuais do meio."
[In his “affective constructivism” approach, João Modé pays homage to the constructive tradition of Brazilian art, establishing a connection with the geometric-abstract lineage. In his home-studio, the artist arranges textile materials of diverse origins and natures in an intuitive and organic way. In the words of Victor Gorgulho, “the artist’s interest is not tied to achieving a kind of perfection or even remarkable virtuosity [...]” but rather that “[...] his sewing processes, in fact, go almost entirely against the usual precepts of the field.”]
[In his “affective constructivism” approach, João Modé pays homage to the constructive tradition of Brazilian art, establishing a connection with the geometric-abstract lineage. In his home-studio, the artist arranges textile materials of diverse origins and natures in an intuitive and organic way. In the words of Victor Gorgulho, “the artist’s interest is not tied to achieving a kind of perfection or even remarkable virtuosity [...]” but rather that “[...] his sewing processes, in fact, go almost entirely against the usual precepts of the field.”]