João Modé
Construtivo [Paninho] listras vermelhas e brancas, 2022
materiais de costura e bordado em tecido de algodão
[sewing materials and embroidery on cotton fabric]
[sewing materials and embroidery on cotton fabric]
39 x 44 x 4 cm
[15 3/8 x 17 3/8 x 1 5/8 in]
2.0 kg
[15 3/8 x 17 3/8 x 1 5/8 in]
2.0 kg
Copyright O Artista
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Compondo o que o artista chama de 'construtivismo-afetivo”, João Modé faz uma homenagem à tradição construtiva da arte brasileira, propondo um elo com a tradição geométrica-abstrata. Em sua casa-ateliê, o...
Compondo o que o artista chama de "construtivismo-afetivo”, João Modé faz uma homenagem à tradição construtiva da arte brasileira, propondo um elo com a tradição geométrica-abstrata. Em sua casa-ateliê, o artista organiza materiais têxteis de origens e naturezas diversas de forma intuitiva e orgânica. Nas palavras de Victor Gorgulho, "o interesse do artista não está atrelado ao alcance de uma espécie de perfeição ou mesmo de um notável virtuosismo [...]" mas sim que "[...] seus processos de costura se dão, na verdade, praticamente na contramão dos preceitos usuais do meio."
[Composing what the artist calls “affective constructivism,” João Modé pays homage to the constructive tradition of Brazilian art, establishing a connection with the geometric-abstract lineage. In his home-studio, the artist arranges textile materials of diverse origins and natures in an intuitive and organic way. In the words of Victor Gorgulho, “the artist’s interest is not tied to achieving a kind of perfection or even remarkable virtuosity [...]” but rather that “[...] his sewing processes, in fact, go almost entirely against the usual precepts of the field.”]
[Composing what the artist calls “affective constructivism,” João Modé pays homage to the constructive tradition of Brazilian art, establishing a connection with the geometric-abstract lineage. In his home-studio, the artist arranges textile materials of diverse origins and natures in an intuitive and organic way. In the words of Victor Gorgulho, “the artist’s interest is not tied to achieving a kind of perfection or even remarkable virtuosity [...]” but rather that “[...] his sewing processes, in fact, go almost entirely against the usual precepts of the field.”]